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SIGMA 105mm F2.8 DG DN MACRO

Make everyday details more magnificent....

43.3mm

megapixels

FF

sensor

Contrast

autofocus

18 fps

burst speed

422g

in weight

4K UHD

video

EVF

optional

100/640

stills base ISO

15+

Color Modes

£1600

inc. VAT

Mount: L-Mount

Sigma's widest ultra-wide-angle zoom

Designed for use with full-frame DSLRs, the 12-24mm is a wide-angle zoom that offers an exceptionally wide focal length for anyone needing a very wide angle-of-view. The lens is perfect for landscape photography, interiors, events and architecture, and the constant F4 aperture provides fast shutter speeds in low light.

Optically the lens is extremely impressive, delivering edge-to-edge sharpness even at 12mm, allowing photographers to capture scenes in remarkable detail, even on the highest resolution DSLR cameras. This is thanks to its advanced optical design that includes 5 FLD elements, 1 SLD element and 2 aspherical elements.

The SIGMA 12-24mm F4 lens also features a durable and weather-resistant design, making it suitable for use in a variety of shooting conditions.

The 12-24mm boasts one of the widest focal lengths on the market, and is perfect for architecture, interiors and landscapes.

1

Precision brass mount with seal

Protects against dust and moisture.

2

Zoom ring

With smooth and accurate movement.

3

Focus Mode switch

For changing between AF and MF.

4

TSC construction

Made from a strong and light polycarbonate that behaves in a similar way to aluminium.

5

Focus ring

A large, rubberised ring with a smooth action. Focusing is internal.

6

Petal-type hood

Reduces flare in bright sun and protects the bulbous front element.

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More features

Tech Specification

Supplied Accessories

FRONT CAP LCF-62mm Ⅲ

Barcode No.
00-85126-92981-7

REAR CAP LCR Ⅱ

* The image is for SIGMA.

  • L-Mount

    00-85126-93725-6

    Sony E-mount

    00-85126-92987-9

LENS HOOD LH653-01

Barcode No.
00-85126-93859-8

Separately Sold Accessories

PROTECTOR 62mm

Normal type. Protector is developed to protect the lens surface from dirt and dust as well as scratches. It is an ideal filter for regular use as it is completely colorless so does not affect color reproduction.

* Thinner frame wide type.

Barcode No.
00-85126-93106-3

WR PROTECTOR 62mm

Water-repellent, Antistatic type. Protector is developed to protect the lens surface from dirt and dust as well as scratches. It is an ideal filter for regular use as it is completely colorless so does not affect color reproduction.

* Thinner frame wide type.

Barcode No.
00-85126-93093-6

WR UV FILTER 62mm

UV Water-repellent, Antistatic type. UV filter prevents the bluish tone that generates when the weather is fine, by absorbing ultraviolet rays. It is effective in most situations, such as landscape, portrait and general photography on a sunny day. It is also an ideal filter for regular use as it is completely colorless so does not affect color reproduction.

* Thinner frame wide type.

Barcode No.
00-85126-93067-7

WR CIRCULAR PL FILTER 62mm

PL Water-repellent, Antistatic type. Circular PL filter removes the reflection of water surface and glass windows, and increases the contrast in landscape photography.

* Thinner frame wide type.

Barcode No.
00-85126-93080-6

TELE CONVERTER TC-1411

Supplied Accessories

Case

Barcode No.
00-85126-82569-0

TELE CONVERTER TC-2011

Supplied Accessories
Case
Barcode No.
00-85126-82669-7
ELECTRONIC FLASH MACRO EM-140 DG

*SIGMA fp only

Supplied Accessories
Case、MACRO FLASH ADAPTER (φ55mm、φ62mm)
Barcode No.
00-85126-92264-1

USB DOCK UD-11

  • L-Mount

    00-85126-87869-6

For Support Kindly call us or eMail us

Email: saleschennai@shetalacamera.com
Tel: +91 44 -42125148/58/68
Mobile: +91 98005 98005

Diffraction MTF

Geometrical MTF

 

Diffraction MTF

Diffraction MTF (+TC-1411)

 

Geometrical MTF (+TC-1411)

Diffraction MTF (+TC-2011)

 

Geometrical MTF (+TC-2011)

 

Lens Construction

Lens Construction

17 elements in 12 groups

Angle of View

  • 23.3°

Number of Diaphragm Blades

9 (Rounded diaphragm)

Minimum Aperture

F22

Minimum Focusing Distance

29.5cm / 11.6in.

Maximum Magnification Ratio

1:1

Filter size

φ62mm

Dimensions (Diameter × Length)

  • L-Mount
    φ74mm × 133.6mm / φ2.9in. × 5.3in.
  • Sony E-Mount
    φ74mm × 135.6mm / φ2.9in. × 5.3in.
  • *The length of a lens is measured from the filter surface to its mount.

Weight

  • L-Mount
    715g / 25.2oz.
  • Sony E-Mount
    710g / 25.0oz.

Edition Number

A020

Supplied Accessories

Case, hood (LH653-01) included.

Corresponding AF Mounts / Barcode No.

  • Sony E-Mount
    00-85126-26065-1
  • L-Mount
    00-85126-26069-9

Technologies

A full range of functionalities and an excellent build quality

On its body, the 105mm F2.8 DG DN MACRO | Art features a 1Focus Mode Switch,

2Focus limiter setting which comes in handy during macro shooting, and the 3AFL button*1 to which users may assign select functions. The 4Aperture ring, which is designed to help users work intuitively, has an 5Aperture ring click switch to turn ON or OFF the clicking sound that isn’t required by some users when shooting macro. It also comes with a 6Aperture ring lock switch*2 for a ring lock system. Its enhanced functions allow users to customize their shooting operations in accordance with their shooting styles.

The lens also has a 7dust and splash resistant structure* with a water- and oil-repellent coating, which is built to handle all manner of shooting conditions. The rings and switches, meanwhile, have a build quality that is superb in terms of durability, as well as how they work and how they feel.
With levels of user-friendliness, adaptability to the environment, and smoothness of operation that are designed for professional uses, the 105mm F2.8 DG DN MACRO | Art pushes the boundaries for photographers and gives them wider creative possibilities.

*1 Limited to compatible cameras. Also, the functions depend on the camera.
*2 When turned ON at the position A, the iris ring is locked at A. When turned ON at a position other than A, it is locked within the range between the maximum to minimum apertures and will not engage at the position A.

ESSENTIALS

You’ll find our philosophy and craftsmanship in every product

Our new lineup fully expresses our approach to lenses and photography itself. All of our lenses belong to one of three lines—Contemporary, Art, or Sports—all of which share our development philosophy and advanced manufacturing system. High performance, high quality, and high end in every respect, these lenses give people who love photography lasting value and consistent, exciting results. The secret is our passion for craftsmanship that we put into every production process and every product.

Description

The latest optical design of the 105mm F2.8 DG DN MACRO | Art ensures exceptional sharpness at all shooting distances from extreme close-up, which is crucial in macro shooting, all the way up to infinity. In addition, its aberration correction places a particular focus on longitudinal chromatic aberration which cannot be handled by the in-camera aberration correction. The superior optical design produces clear images with both delicate rendering and free of color bleeding.

Bokeh was one of the focuses in the 105mm F2.8 DG DN MACRO | Art design, which figures largely in mid-telephoto shooting. The ample volume of peripheral light helps create beautiful bokeh circles, while natural bokeh effect in the background, as well as foreground, gives more flexibility to photographic expressions.

Furthermore, when equipped with the TC-1411 (1.4x) or TC-2011 (2.0x), SIGMA’s latest models of teleconverters designed exclusively for the use with L-Mount lenses, it allows photographers to shoot macro at even higher macro magnifications while keeping the working distance.

The 105mm F2.8 DG DN MACRO | Art has achieved everything that is required of a mid-telephoto macro lens at the highest levels.

 

Additional information

MOUNT

L MOUNT, SONY E

VIEWFINDER OPTIONS

Two wide-angle zooms for DSLRs

The 12-24mm and 14-24mm are SIGMA’s two widest-angle full-frame zooms for DSLRs. With exactly the same weight, AF motor and maximum aperture, and near identical build quality, length and optical designs, they are very similar lenses. The main differences are F2.8 aperture of the 14-24mm, and the wider angle-of-view of the 12-24mm.

1,150g

in weight

131.5mm

in length

1,150g

in weight

131.5mm

in length

Made in Aizu

All Sigma cameras and lenses are designed, manufactured and assembled at our sole factory at Aizu in Japan. This domestic production model is unusual in today’s industry, with most imaging companies opting to outsource to other countries to reduce costs. But SIGMA believes that keeping virtually all manufacturing, processing and assembly in Aizu is essential for creating innovative, carefully thought-out and impeccably constructed products that meet the high standards demanded by professional photographers and film-makers around the world.

Sigma chose Aizu as its main production base in the early 1970s. Situated at the base of Mount Bandai in the Fukushima Prefecture, about four hours’ drive north of Tokyo, Aizu has an

Awards

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